LIAM MCCLURE
Liam H. McClure is an experimental furniture maker based in Vancouver, Canada, whose work is deeply rooted in material exploration. Primarily focusing on steel, leather, and recycled HDPE plastics, McClure develops rule-bound processes that intentionally incorporate elements of chance. This unique methodology aims to unlock and expand the inherent communicative potential within these materials, allowing their inherent qualities to significantly inform the final form and aesthetic of his diverse creations. His practice reveals a fascination with the raw and often contrasting properties of his chosen materials, pushing their boundaries through innovative and often unexpected applications.
McClure’s experimental approach manifests in a compelling range of objects, from functional furniture like folding chairs and chaise longues to sculptural lighting and even textile-based works like digital tapestries. His steel frames often exhibit a minimalist and structurally honest aesthetic, while his use of recycled HDPE results in vibrant, one-of-a-kind surfaces imbued with the unpredictable beauty of repurposed materials. Leather is frequently employed for its tactile richness and ability to provide both support and comfort. Across these diverse forms, a consistent thread of material integrity and a dedication to exploring the expressive possibilities inherent in each medium can be observed.
A key aspect of McClure's design language is the deliberate interplay between structure and surface, often achieved through unexpected material pairings and construction techniques. Whether it's the juxtaposition of rigid steel with the softness of quilted upholstery or the fluid form achieved with delicate steel mesh interacting with light, his pieces often create a dialogue between contrasting elements. This exploration extends to the processes themselves, where carefully established rules are often allowed to intersect with the unpredictable nature of material reactions or the inherent variations within recycled content, leading to unique and often one-of-a-kind outcomes.
Beyond the tangible objects, McClure’s research interests extend to the exploration of cooperative and post-capitalist design models. This intellectual curiosity informs his approach to creation, often favouring resourceful material choices, such as recycled plastics, and the production of unique pieces that resist mass-market homogenization. His diverse body of work invites viewers to reconsider the communicative potential of everyday objects and the stories embedded within the materials themselves, reflecting a thoughtful engagement with both the physical and conceptual aspects of design.
